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"I may be a cinematographer, but I love the written word.
If I had to choose the single most important element of a motion picture--an
almost impossible choice given such a collaborative medium--I'd have to say
it's the screenplay. I therefore relish working on a film whose source
material is a well-written book.
"Salem's Lot is one of Stephen King's best, exemplifying what he is all about
as a writer. On one page he could describe a person--a resident of Salem's
Lot--so that you "know" him or her and, more, that you care. Caring about
the characters is what successful drama is all about. A few pages, a few
characters, and before you know it, you have a sense of the town--almost like
you live there! This is, for me, powerful writing. How great it was, then,
to help translate a favorite book to the screen.
"One of the most meaningful parts of making films is having the opportunity
to meet great artists. It was a tremendous thrill to be in the company of
James Mason, whose great persona and deep talent was part of my film-going
life since boyhood. Another was meeting Stirling Silliphant, one of the
writers who contributed a screenplay version of Salem's Lot prior to Paul
Monash's final shooting script. As executive producer, he was a stimulating
presence on the set."
~~ Jules Brenner
Cast: James Mason, Ken McMillan, David Soul, Bonny Bedelia, Geoffrey Lewis,
Lance Kerwin, Lew Ayres, Ed Flanders, Kenneth McMillan, Marie Windsor, George
Dzundza
Reviews:
Definitely the best Stephen King miniseries and the most memorable. Directed
by Tobe Hooper, of The Texas Chainsaw Massacre fame, this is very scary
stuff. Although David Soul will always be thought of as Hutch, he does a
credible job as Ben Mears. James Mason is also suitably icy as Straker, but
not enough is made of Barlow, his Nosferatu-like master. Rating: 9 out of 10
(Dr. Blood)
Last sightings:
Lifetime channel, August 19, 2000, 8:00 PM, PDT.
How it came together (and other details):
The book (the 2nd for Stephen King) was published in 1975. Around 4 years
later, Director George A. Romero was approached to direct a feature film
version, but after the announcements of John Badham's Dracula (1979) and
Werner Herzog's Nosferatu: Phantom der Nacht (1979), Warner Bros. decided to
turn Salem's Lot into a TV mini-series. Romero dropped out, feeling he
wouldn't be able to make the film the way he wanted to with the restrictions
of network television. Richard Kobritz, the head of Warner's TV at the time,
was the person who chose Tobe Hooper to direct, as well as me to direct the
photography.
The schedule was 8 weeks. The two part miniseries ran 184 minutes. A
theatrical version of 107 minutes ran in the UK. The budget estimate is $4
Mil.
"Salem's Lot" was nominated for three Emmys (Graphic Design, Makeup and Music
Composition).
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