Company ManA Novel by Joseph Finder Book review by Jules Brenner St. Martin's Press, released 4/19/05, 528 pp. Return to list of books
It's maybe not the kind of thing your average male thinks about when he meets
an outrageously beautiful woman... "is she right for me? Am I and my family
safe with her?" Such thoughts would never have entered Nick Conover's mind if
it weren't for the fact that he shot her father to death. So, the more
trenchant question is, "does she know?"
She doesn't act as though she does, so Nick is free to become totally
infatuated with her physical attributes and her savant's power to understand
people and their motivations with acute insight. She even helps Nick
understand the private agendas going on at the Stratton Corporation, where
he's the young, attractive CEO who lost his wife in a tragic car accident a
year ago.
He's also the guy who laid off half the workers in a downsizing attempt to
keep the company afloat, earning him the local sobriquet of "Slasher Nick"
and changing him from a small town hero to the most hated figure of the small
community. So, it made some morbid sense when his mansion domain in the
gated community of Fenwicke Estates was broken into by a disgruntled
nighttime marauder who left day-glo messages on the wall saying, "NO HIDING
PLACE" in all caps.
When the "wing nut" intruder escalates to killing the family dog, Nick calls
in Eddie Rinaldi, his company's security director, a guy with a cop
background and something of a moral disaster. Ever helpful to his boss,
Rinaldi puts a throwdown gun in Nick's possession. When Nick later finds
laid-off worker Andrew Stadler on the lawn approaching his house, he assumes
him to be the dog killer and demands he come no closer. When the maniac
rushes toward him spouting nonsense, Nick shoots him dead.
The shock waves brings him back to Rinaldi who embroils him in a desperate
coverup that's too clever for its own good. When the dead body shows up in a
dumpster in a bad neighborhood, wrapped up and wiped clean, it brings on law
enforcement in the form of Officer Audrey Rhimes, an African American
detective who pursues a case like a worker bee.
Nick, trying to change his reputation as a CEO without a heart, bends company
policy and goes to Cassie Stadler to personally deliver a bundle of
compensation money to demonstrate his feelings over her tragic loss and finds
himself in an irresistible attraction for the first time since his wife
died.
Author Finder writes big books. This 528 thriller isn't lengthy because of
overelaboration or excess poetic description, however. In fact, it's a taut
suspense journey without a wasted word. It grows into an extended
entertainment because Finder fully explores the psychological motivations of
every character and because he's dealing with the complexities of a hero
who's both powerful and modest.
The man's abiding interest is in managing his company and in protecting his
two children, rebellious teenager Lucas who is becoming a drug addict, and
dependent little Julia. He's dealing with a huge coverup by the officers of
his corporation who are keeping him in the dark, with parenting
ineffectually, with his newfound romance, his security officer's
misjudgements and subsequent threats, and with the intrusions of a zealous
detective. With all these balls in the air, there isn't a wasted sentence
between the covers.
Where John Grisham mines his legal specialty for unique dramatic enrichment
of his fiction; and where Shelly Reuben uses her arson expertise, Joseph
Finder finds his mystery story niche within the corporate world. In all these
cases, the setting is never convenient coincidence but a carefully crafted
element of the crimes and the crises. Nick Conover couldn't have existed
outside the culture of a global business any more than his low-level-employee
hero Adam Cassidy could have in his earlier corporation thriller, "Paranoia."
Finder, then, knows his way around corporate boardrooms. His genius in this
enterprise is in exploiting the global and domestic tension within a single,
very flawed but human protagonist who is both up to the challenges of his job
and way over his head in dealing with the tragedies in his life.
For the pleasures he creates within this complex framework, we give Joseph
Finder a well deserved vote of confidence, a raise, and maybe a golden
parachute.
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